Art of Action: Caring About the Climate Crisis in SEA
Introduction
Introduction
When it comes to addressing the climate crisis, one usually assumes that viable forms of action include protests, advocacy, and political interventions. But what about art? How does art making intersect with and propel social and environmental activism? Visual artists and makers from across Southeast Asia seek to effect climate justice through the fundamental practice of art, and they imagine and propose caring futures through their works. This module situates “care” as a method and a mode of attention to ground writing and research about ongoing eco-social crises as explored in collaborative art projects from around the region.
In many parts of Southeast Asia, the harrowing “futures” of the climate crisis have arrived and have been arriving for a long time. To more deeply understand what this means and looks like among affected groups, we must learn how to become attuned, undertaking the care-ful work of gaining sensitivity across difference. “Care” is thus a framework that requires lingering with human and non-human beings to listen to their stories as they are drawn together into creative representational modes that span diverse media, including installations, films, paintings, sculpture, textiles, and land and environmental art. By engaging these media, students will learn how to undertake close analysis of artworks while connecting them to the broader cultural contexts and communities in which they are produced, using methodologies gleaned from art history, anthropology, visual studies, geography, and science and technology studies.
We will read a range of texts from those disciplines to think about how to evaluate texts’ arguments and positions, and how to craft written analysis that emerges from and is carefully supported by different forms of evidence. Since many of the art projects we will discuss have been created with the intention of raising awareness among diverse publics, students will work on sequenced writing assignments that are designed to reach different audiences by experimenting with various writing styles and genres.
Learning Outcomes
Students in this module will develop their skills in academic writing and writing across genres. They will become proficient in analysis, argumentation, rhetorical organization, and persuasion strategies that can be deployed when writing across disciplines and professional contexts.
By the end of the module, students will be able to:
- Effectively utilize the conventions of academic writing in their own work.
- Engage texts critically and evaluate their arguments and assumptions.
- Identify sources needed to connect arguments and analysis with evidence.
- Learn to interpret written and visual texts for their subtle and hidden meanings.
- Identify issues in reasoning, argumentation, and the use of sources.
- Work collaboratively with peers by engaging in peer review to improve the quality of a text.
Module Structure
The module is divided into three units. In unit one, students read texts and consider artworks in order to develop a shared conceptualization of “care” and the skills needed to understand and interpret individual works of art. In unit two, individual works of art are more broadly contextualized in relationship to communities and climate emergencies that they depict, and in some cases, in relationship to communities that have produced them. This unit thinks about the limits and possibilities of collaboration in art and in climate justice movements. The third unit deals with the politics and practices of curation in museums and other institutions. It considers the ways curators imagine their interventions in the museum/gallery/exhibition space, and how audiences engage and perceive these interventions.
Assessment
Assessment
Assignment 1(Visual Analysis: a thesis-driven essay that encourages students to carefully look, think, and to find good language to communicate what they notice about a single work of art, using these observations as evidence to formulate an argument): 20%
Assignment 2 (Interview as Genre and Evidence: Each student will undertake an interview with an artist, a member of an artist collective, or a community participant in a collaborative art project. Students will use these interviews to write an essay in which they experiment with embedding and integrating interviews as primary sources in different ways, and they will support this evidence with secondary sources): 20%
Assignment 3 (Student as Curator: Students conceptualize their own exhibits. They will bring works of art together around a chosen theme, and situate these works in a research-based curatorial essay organized in relation to the argument(s) their exhibit proposes to audiences): 25%
Homework: 10%
Peer Review Work: 5%
Class Participation: 10%
Final Presentation: 10%, “Gallery tours:” presentations of projects for Assignment 3
Assessment is weighted relatively equally to encourage writing as process and to promote consistent labor and effort across the entire semester.
Readings
Please note that this is a partial selection of readings. The final syllabus will be uploaded onto LumiNUS/Canvas.
Unit One: Connections: Care, Climate, Art
Haraway, Donna. “Chapter Three: Symbiogenesis and the Lively Arts of Staying with the Trouble.” Staying with the Trouble: Making Kin in the Chtuhulucene. Durham: Duke University Press, 2016, 58-98 [selections TBD].
Davis, Lucy. “Chapter Five: Eco Art Histories as Practice: Woodcut and Cuttings of Wood in Island Southeast Asia.” In Eco-Art History in East and Southeast Asia, ed. De-nin D. Lee. Cambridge: Cambridge Scholars Publishing, 2019, 165-204.
Vo, Ylan. “The trees of Huế.” Uncontainable Natures: Southeast Asian ecologies and visual cultures/Antennae: The Journal of Nature in Visual Culture 55, 2021, 229-243.
Unit Two: Care as Collective
Baird, Ian and W. Nathan Green. “The Clean Development Mechanism and large dam development: contradictions associated with climate financing in Cambodia.” Climatic Change 161, 2020: 365-383 (read selections TBD).
Rahadiningtyas, Anissa. “Arahmaiani: Nomadic Reparation Projects, Environmentalism, and Global Islam.” Museum of Modern Art Post: Notes on Art in a Global Context. 11 August 2021. https://post.moma.org/arahmaiani-nomadic-reparation-projects-environmentalism-and-global-islam/
Leow, Joanne, ila, Juria Toramae & Robert Zhao Renhui. “Field Notes, Fluidities, and Fictional Archives: Transmedial Photography and Singapore’s Altered Coastlines.” Transasia Photography 11:1, 2021. http://hdl.handle.net/2027/spo.7977573.0011.104
Unit Three: To Care is to Curate
Lovatt, Philippa. “(Im)material Histories and Aesthetics of Extractivism in Vietnamese Artists’ Moving Image.” Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 1, 2020, 221-236.
Hengsapkul, Tada & Thanavi Chotpradit. “You Lead Me Down, To the Ocean.” Positions Politics, June 2021. https://positionspolitics.org/you-lead-me-down-to-the-ocean/
